Archivo is the only project in Mexico dedicated to collecting, exhibiting, and rethinking design and architecture.
Archivo is focused on researching and advocating design, as well as in exploring its history and evolution, questioning its principles, and exploiting its potential as a tool for everyday transformation.
Through our permanent collection—consisting of 1,800 objects, a specialized library, and a dynamic program of research, exhibitions, and activities, Archivo has established itself as a pioneering space and an essential reference for design and architecture in Mexico and abroad.
(ESPAÑOL) TRANSPORTE
general
DIRECTOR
ASSISTANT CURATOR
PROJECTS MANAGER
RESEARCH
Our collection is a resource that we extend to all public as a research tool. We’ll share information about its relocation soon. For the library, we recommend that you make an appointment by sending us an email where you specify the topics you are looking for.
VOLUNTEERING
Archivo seeks volunteers all year. If you are passionate about design and want to be part of the team, check our programs here.
WEB CREDITS
design: Alejandro Olávarri
realization: dupla.mx
Archivo is not your typical archive. Instead of simply organizing and preserving documents that are only accessible to specialists, we want to produce new readings, perspectives, and ideas regarding material culture in its broadest sense, without restricting ourselves to categorical definitions or expert knowledge.
We are not a repository of records and documents, but of artifacts, testimonies, activations, and any sort of exploration about design. Archivo is an open archive: our storage rooms are accessible and our catalog is open; we share our resources, and we make our processes public.
We see Archivo as the raw material for learning and experimenting with design and architecture, a source of inspiration for designers, where curiosity, knowledge, and critical thought are instilled.
Archivo reasserts the relevance of design in our daily lives. We are pioneers in researching and exhibiting design in Mexico and we offer a unique study collection of everyday design. We’ve broken down our SPACE and work into three areas of activity:
From our foundation, Archivo has focused on acquiring, cataloging, and preserving a permanent collection of popular and industrial design as well as limited edition objects from the 20th and 21st centuries. Convinced that there is a difference between interacting with an object and seeing a representation of it in a book or website, we decided to open our archive in 2016, through Archivo Abierto—our open storage, consultation, and exhibition area, allowing anyone to see our collection up close and to interact with the pieces.
The other half of our permanent collection is the Archivo library, which specializes in architecture, art, and design. It is divided into two: the Personal Collection of Enrique del Moral (CEM) and the Archivo Collection (CAD). Both can be perused in our Reading Room.
You can also explore our entire collections (both the object collection and the library) in our online catalogue.
Design and architecture are meant to be used and experienced, not displayed in a museum or gallery space. So, how and why do we exhibit design?
For Archivo, the answer to this question changes and adapts as time pases and according to different scenarios, but we generally believe that the practice of exhibiting design is important to rediscover histories, make processes public, and to go beyond the surface of a finished product. Our purpose is to strip design from any sense of mystery trying to tie it to a broader discussion regarding cultural and collective processes.
Our exhibitions delve into these concerns and attempt to push their boundaries: they question the nature of authorship in design and the relevance of process; they reveal the engineering logics behind a common artifact or blur the object-based focus of design; they reactivate historical memories, and seek to redefine the relationship between design and contemporary life in Mexico.
You can explore a complete history of our past exhibitions, learn more about our current shows, or discover the ones we have planned for the future.
Archivo seeks to inspire and encourage people to think design in non-traditional ways, to break disciplinary boundaries, and to create a broader view of the practice and its contexts, processes, histories, uses, and impacts.
Archivo is both a practical and educational resource for students and professionals, as well as a space that introduces a broader audience to design and material culture.
We generate and promote original and informed perspectives through a range of formats that are accessible to everyone: research projects and publications, opinion pieces, workshops and collaborations, and even informal gatherings and other kinds of activities.
Archivo is an exhibition space, as well as a research and gathering space; entrance is free of charge and open to the public. We want you to visit Archivo, but we especially want you to use Archivo. We want you to see our exhibitions and spend the day reading our books in the Reading Room or in the garden, having a coffee. We invite you to use our archive for your research or school project, or to participate in one of our conversations and workshops.
We may be a small, independent space, but we offer a considerable variety of resources and activities, as well as an ambitious program, and original, quality cultural offerings.
You can collaborate with Archivo through our volunteer program. If you are part of the design community in Mexico and you have a project or a collaboration proposal that involves Archivo, you can also contact us.
Sometimes we offer spaces for private events. If you are interested in hosting a photo shoot, a book launch, a dinner or a private event in Archivo, you can request information through our e-mail: info@archivo.design.
Archivo is the only project in Mexico dedicated to collecting, exhibiting, and rethinking design and architecture.
Archivo is focused on researching and advocating design, as well as in exploring its history and evolution, questioning its principles, and exploiting its potential as a tool for everyday transformation.
Through our permanent collection—consisting of 1,800 objects, a specialized library, and a dynamic program of research, exhibitions, and activities, Archivo has established itself as a pioneering space and an essential reference for design and architecture in Mexico and abroad.
Archivo is not your typical archive. Instead of simply organizing and preserving documents that are only accessible to specialists, we want to produce new readings, perspectives, and ideas regarding material culture in its broadest sense, without restricting ourselves to categorical definitions or expert knowledge.
We are not a repository of records and documents, but of artifacts, testimonies, activations, and any sort of exploration about design. Archivo is an open archive: our storage rooms are accessible and our catalog is open; we share our resources, and we make our processes public.
We see Archivo as the raw material for learning and experimenting with design and architecture, a source of inspiration for designers, where curiosity, knowledge, and critical thought are instilled.
Archivo reasserts the relevance of design in our daily lives. We are pioneers in researching and exhibiting design in Mexico and we offer a unique study collection of everyday design. We’ve broken down our SPACE and work into three areas of activity:
From our foundation, Archivo has focused on acquiring, cataloging, and preserving a permanent collection of popular and industrial design as well as limited edition objects from the 20th and 21st centuries. Convinced that there is a difference between interacting with an object and seeing a representation of it in a book or website, we decided to open our archive in 2016, through Archivo Abierto—our open storage, consultation, and exhibition area, allowing anyone to see our collection up close and to interact with the pieces.
The other half of our permanent collection is the Archivo library, which specializes in architecture, art, and design. It is divided into two: the Personal Collection of Enrique del Moral (CEM) and the Archivo Collection (CAD). Both can be perused in our Reading Room.
You can also explore our entire collections (both the object collection and the library) in our online catalogue.
Design and architecture are meant to be used and experienced, not displayed in a museum or gallery space. So, how and why do we exhibit design?
For Archivo, the answer to this question changes and adapts as time pases and according to different scenarios, but we generally believe that the practice of exhibiting design is important to rediscover histories, make processes public, and to go beyond the surface of a finished product. Our purpose is to strip design from any sense of mystery trying to tie it to a broader discussion regarding cultural and collective processes.
Our exhibitions delve into these concerns and attempt to push their boundaries: they question the nature of authorship in design and the relevance of process; they reveal the engineering logics behind a common artifact or blur the object-based focus of design; they reactivate historical memories, and seek to redefine the relationship between design and contemporary life in Mexico.
You can explore a complete history of our past exhibitions, learn more about our current shows, or discover the ones we have planned for the future.
Archivo seeks to inspire and encourage people to think design in non-traditional ways, to break disciplinary boundaries, and to create a broader view of the practice and its contexts, processes, histories, uses, and impacts.
Archivo is both a practical and educational resource for students and professionals, as well as a space that introduces a broader audience to design and material culture.
We generate and promote original and informed perspectives through a range of formats that are accessible to everyone: research projects and publications, opinion pieces, workshops and collaborations, and even informal gatherings and other kinds of activities.
Archivo is an exhibition space, as well as a research and gathering space; entrance is free of charge and open to the public. We want you to visit Archivo, but we especially want you to use Archivo. We want you to see our exhibitions and spend the day reading our books in the Reading Room or in the garden, having a coffee. We invite you to use our archive for your research or school project, or to participate in one of our conversations and workshops.
We may be a small, independent space, but we offer a considerable variety of resources and activities, as well as an ambitious program, and original, quality cultural offerings.
You can collaborate with Archivo through our volunteer program. If you are part of the design community in Mexico and you have a project or a collaboration proposal that involves Archivo, you can also contact us.
Sometimes we offer spaces for private events. If you are interested in hosting a photo shoot, a book launch, a dinner or a private event in Archivo, you can request information through our e-mail: info@archivo.design.
Archivo is the only project in Mexico dedicated to collecting, exhibiting, and rethinking design and architecture.
Archivo is focused on researching and advocating design, as well as in exploring its history and evolution, questioning its principles, and exploiting its potential as a tool for everyday transformation.
Through our permanent collection—consisting of 1,800 objects, a specialized library, and a dynamic program of research, exhibitions, and activities, Archivo has established itself as a pioneering space and an essential reference for design and architecture in Mexico and abroad.
(ESPAÑOL) TRANSPORTE
general
DIRECTOR
ASSISTANT CURATOR
PROJECTS MANAGER
RESEARCH
Our collection is a resource that we extend to all public as a research tool. We’ll share information about its relocation soon. For the library, we recommend that you make an appointment by sending us an email where you specify the topics you are looking for.
VOLUNTEERING
Archivo seeks volunteers all year. If you are passionate about design and want to be part of the team, check our programs here.
WEB CREDITS
design: Alejandro Olávarri
realization: dupla.mx
Archivo is not your typical archive. Instead of simply organizing and preserving documents that are only accessible to specialists, we want to produce new readings, perspectives, and ideas regarding material culture in its broadest sense, without restricting ourselves to categorical definitions or expert knowledge.
We are not a repository of records and documents, but of artifacts, testimonies, activations, and any sort of exploration about design. Archivo is an open archive: our storage rooms are accessible and our catalog is open; we share our resources, and we make our processes public.
We see Archivo as the raw material for learning and experimenting with design and architecture, a source of inspiration for designers, where curiosity, knowledge, and critical thought are instilled.
Archivo reasserts the relevance of design in our daily lives. We are pioneers in researching and exhibiting design in Mexico and we offer a unique study collection of everyday design. We’ve broken down our SPACE and work into three areas of activity:
From our foundation, Archivo has focused on acquiring, cataloging, and preserving a permanent collection of popular and industrial design as well as limited edition objects from the 20th and 21st centuries. Convinced that there is a difference between interacting with an object and seeing a representation of it in a book or website, we decided to open our archive in 2016, through Archivo Abierto—our open storage, consultation, and exhibition area, allowing anyone to see our collection up close and to interact with the pieces.
The other half of our permanent collection is the Archivo library, which specializes in architecture, art, and design. It is divided into two: the Personal Collection of Enrique del Moral (CEM) and the Archivo Collection (CAD). Both can be perused in our Reading Room.
You can also explore our entire collections (both the object collection and the library) in our online catalogue.
Design and architecture are meant to be used and experienced, not displayed in a museum or gallery space. So, how and why do we exhibit design?
For Archivo, the answer to this question changes and adapts as time pases and according to different scenarios, but we generally believe that the practice of exhibiting design is important to rediscover histories, make processes public, and to go beyond the surface of a finished product. Our purpose is to strip design from any sense of mystery trying to tie it to a broader discussion regarding cultural and collective processes.
Our exhibitions delve into these concerns and attempt to push their boundaries: they question the nature of authorship in design and the relevance of process; they reveal the engineering logics behind a common artifact or blur the object-based focus of design; they reactivate historical memories, and seek to redefine the relationship between design and contemporary life in Mexico.
You can explore a complete history of our past exhibitions, learn more about our current shows, or discover the ones we have planned for the future.
Archivo seeks to inspire and encourage people to think design in non-traditional ways, to break disciplinary boundaries, and to create a broader view of the practice and its contexts, processes, histories, uses, and impacts.
Archivo is both a practical and educational resource for students and professionals, as well as a space that introduces a broader audience to design and material culture.
We generate and promote original and informed perspectives through a range of formats that are accessible to everyone: research projects and publications, opinion pieces, workshops and collaborations, and even informal gatherings and other kinds of activities.
Archivo is an exhibition space, as well as a research and gathering space; entrance is free of charge and open to the public. We want you to visit Archivo, but we especially want you to use Archivo. We want you to see our exhibitions and spend the day reading our books in the Reading Room or in the garden, having a coffee. We invite you to use our archive for your research or school project, or to participate in one of our conversations and workshops.
We may be a small, independent space, but we offer a considerable variety of resources and activities, as well as an ambitious program, and original, quality cultural offerings.
You can collaborate with Archivo through our volunteer program. If you are part of the design community in Mexico and you have a project or a collaboration proposal that involves Archivo, you can also contact us.
Sometimes we offer spaces for private events. If you are interested in hosting a photo shoot, a book launch, a dinner or a private event in Archivo, you can request information through our e-mail: info@archivo.design.
How are we to think design as a praxis, and whatever is designed as a product? Better yet: how are we to think from design itself? In other words, what does design give us to think? What questions does design throw our way regarding our subjectivity, our history and our present?
I think that it is from within this critical framework that we should approach the radicality and, thus, the fecundity of the concept and the praxis of the “Super Normal,” developed by Naoko Fukusawa and Jasper Morrison. According to Fukusawa’s own explanation, the concept of “Super Normal” is related, on the one hand, with transcending the sphere of the non-designed (the “super) and, on the other, with refocusing the designer’s attention and practice to the ordinary (the “normal”). This dual theoretical and practical operation allows us to question from a privileged position how we construct and how we inhabit what Morrison calls our “atmosphere,” that is the space of experience in which objects present themselves and acquire signification.
According to Heidegger, our first experience of the world is not under the paradigm of neutrality and physics. In this sense, our first “sensations of the ordinary” are not interactions with mere physical objects; on the contrary, our originary openness to the world is under the scheme of practicality: objects appear to us as tools with which we can do things. Our first exchanges are not with objects made up of atoms but with chairs in which we sit, with keys that open doors, with hammers with which we build other things; thus, objets appear as tools in constant relation and said relation is what gives them their meaning.
Nonetheless, it is important to consider that such practical ordinariness of objects in made invisible and it stops calling our attention. The ordinary is such precisely because it withdraws from the regime of our visibility, even if it is part of our most common experience. This invisibilization of the ordinary allows is to inhabit a world that is ours; in other words, it allows us to transform a space into a safe and stable home to counter the risks of what is strange or unpredictable. The things in our world become protections agaisnt the dangers that hunt us, which is why we only notice their protection when it fails. We are the being that shields itself under common things.
How are we to think such practical ordinariness of a designed object? Even more so, what happens when a specific design of, say, a chair becomes what is ordinary in itself? Fukusawa and Morrison’s vision is located precisely in this very point, as they present us with a collection of designer objects which have become “Super Normal.” Por example, an Italian design water bucket “represents the summit of bucket design” and, by having a spout to pour water and being very light, “it is a perfect example of how design can make life better for everyone.” According to Fukusawa and Morrison, design should have the goal to retun to this ground zero, to this originary moment of practicality in which objects appear as vital tools and allow us to inhabit a world far from the dangers of the real.
Now, Fukusawa and Morrison are not naive, as they warn us that innocence is impossible because the designed object is never the first one but is located at the end of “a long tradition of evolutionary advancement” of the designed objects that precede. In fact, according to Morrison, “Super Normal” objects reveal that past. We should pause here for a moment in order to ask: is that past one of constant evolutionary advancement? Do designed objects reveal to us merely the progress and perfection of its designs? Maybe this is a past, but it is not the only one. Just as every designed object is inserted in the history of the progress and advancement of its design, it is also part of the history of labor, exchange, capitalism, and exploitation.
It is in this way that the practice of design and its objects throw us a final affront as designers, thinkers, consumers, and beings that share a world: how much does the ordinariness of designed objects that turns out to be necessary to effectively and safely inhabit a world also hides what we refuse to see? Isn’t it the case that “Super Normal” design makes intangible, besides its ordinary practicality, the atrocious system that sustains it? Doesn’t the invisibilization of design that operates as an indispensable shield against what threatens us also play a role as an anesthetic in the face of pain and barbarism?
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Gonzalo Bustamante (CDMX, 1991)
Bachelor of Philosophy from the Universidad Iberoamericana, Mexico City. He is currently pursuing a master’s degree in philosophy at The New School for Social Research, New York; his thesis addresses the relationship between mind and world in Kant’s Critique of Pure Reason. He has translated into Spanish contemporary philosophers such as Alice Crary, Peter Hacker, Markus Gabriel, Chiara Bottici and Michael Naas. He has also participated in research projects on German philosophy at the UNAM, as well as lectures on Wittgenstein, literature and contemporary philosophy. His subjects of interest are epistemology, the philosophy of language and contemporary political philosophy.