Archivo is the only project in Mexico dedicated to collecting, exhibiting, and rethinking design and architecture.
Archivo is focused on researching and advocating design, as well as in exploring its history and evolution, questioning its principles, and exploiting its potential as a tool for everyday transformation.
Through our permanent collection—consisting of 1,800 objects, a specialized library, and a dynamic program of research, exhibitions, and activities, Archivo has established itself as a pioneering space and an essential reference for design and architecture in Mexico and abroad.
(ESPAÑOL) TRANSPORTE
general
DIRECTOR
ASSISTANT CURATOR
PROJECTS MANAGER
RESEARCH
Our collection is a resource that we extend to all public as a research tool. We’ll share information about its relocation soon. For the library, we recommend that you make an appointment by sending us an email where you specify the topics you are looking for.
VOLUNTEERING
Archivo seeks volunteers all year. If you are passionate about design and want to be part of the team, check our programs here.
WEB CREDITS
design: Alejandro Olávarri
realization: dupla.mx
Archivo is not your typical archive. Instead of simply organizing and preserving documents that are only accessible to specialists, we want to produce new readings, perspectives, and ideas regarding material culture in its broadest sense, without restricting ourselves to categorical definitions or expert knowledge.
We are not a repository of records and documents, but of artifacts, testimonies, activations, and any sort of exploration about design. Archivo is an open archive: our storage rooms are accessible and our catalog is open; we share our resources, and we make our processes public.
We see Archivo as the raw material for learning and experimenting with design and architecture, a source of inspiration for designers, where curiosity, knowledge, and critical thought are instilled.
Archivo reasserts the relevance of design in our daily lives. We are pioneers in researching and exhibiting design in Mexico and we offer a unique study collection of everyday design. We’ve broken down our SPACE and work into three areas of activity:
From our foundation, Archivo has focused on acquiring, cataloging, and preserving a permanent collection of popular and industrial design as well as limited edition objects from the 20th and 21st centuries. Convinced that there is a difference between interacting with an object and seeing a representation of it in a book or website, we decided to open our archive in 2016, through Archivo Abierto—our open storage, consultation, and exhibition area, allowing anyone to see our collection up close and to interact with the pieces.
The other half of our permanent collection is the Archivo library, which specializes in architecture, art, and design. It is divided into two: the Personal Collection of Enrique del Moral (CEM) and the Archivo Collection (CAD). Both can be perused in our Reading Room.
You can also explore our entire collections (both the object collection and the library) in our online catalogue.
Design and architecture are meant to be used and experienced, not displayed in a museum or gallery space. So, how and why do we exhibit design?
For Archivo, the answer to this question changes and adapts as time pases and according to different scenarios, but we generally believe that the practice of exhibiting design is important to rediscover histories, make processes public, and to go beyond the surface of a finished product. Our purpose is to strip design from any sense of mystery trying to tie it to a broader discussion regarding cultural and collective processes.
Our exhibitions delve into these concerns and attempt to push their boundaries: they question the nature of authorship in design and the relevance of process; they reveal the engineering logics behind a common artifact or blur the object-based focus of design; they reactivate historical memories, and seek to redefine the relationship between design and contemporary life in Mexico.
You can explore a complete history of our past exhibitions, learn more about our current shows, or discover the ones we have planned for the future.
Archivo seeks to inspire and encourage people to think design in non-traditional ways, to break disciplinary boundaries, and to create a broader view of the practice and its contexts, processes, histories, uses, and impacts.
Archivo is both a practical and educational resource for students and professionals, as well as a space that introduces a broader audience to design and material culture.
We generate and promote original and informed perspectives through a range of formats that are accessible to everyone: research projects and publications, opinion pieces, workshops and collaborations, and even informal gatherings and other kinds of activities.
Archivo is an exhibition space, as well as a research and gathering space; entrance is free of charge and open to the public. We want you to visit Archivo, but we especially want you to use Archivo. We want you to see our exhibitions and spend the day reading our books in the Reading Room or in the garden, having a coffee. We invite you to use our archive for your research or school project, or to participate in one of our conversations and workshops.
We may be a small, independent space, but we offer a considerable variety of resources and activities, as well as an ambitious program, and original, quality cultural offerings.
You can collaborate with Archivo through our volunteer program. If you are part of the design community in Mexico and you have a project or a collaboration proposal that involves Archivo, you can also contact us.
Sometimes we offer spaces for private events. If you are interested in hosting a photo shoot, a book launch, a dinner or a private event in Archivo, you can request information through our e-mail: info@archivo.design.
Archivo is the only project in Mexico dedicated to collecting, exhibiting, and rethinking design and architecture.
Archivo is focused on researching and advocating design, as well as in exploring its history and evolution, questioning its principles, and exploiting its potential as a tool for everyday transformation.
Through our permanent collection—consisting of 1,800 objects, a specialized library, and a dynamic program of research, exhibitions, and activities, Archivo has established itself as a pioneering space and an essential reference for design and architecture in Mexico and abroad.
Archivo is not your typical archive. Instead of simply organizing and preserving documents that are only accessible to specialists, we want to produce new readings, perspectives, and ideas regarding material culture in its broadest sense, without restricting ourselves to categorical definitions or expert knowledge.
We are not a repository of records and documents, but of artifacts, testimonies, activations, and any sort of exploration about design. Archivo is an open archive: our storage rooms are accessible and our catalog is open; we share our resources, and we make our processes public.
We see Archivo as the raw material for learning and experimenting with design and architecture, a source of inspiration for designers, where curiosity, knowledge, and critical thought are instilled.
Archivo reasserts the relevance of design in our daily lives. We are pioneers in researching and exhibiting design in Mexico and we offer a unique study collection of everyday design. We’ve broken down our SPACE and work into three areas of activity:
From our foundation, Archivo has focused on acquiring, cataloging, and preserving a permanent collection of popular and industrial design as well as limited edition objects from the 20th and 21st centuries. Convinced that there is a difference between interacting with an object and seeing a representation of it in a book or website, we decided to open our archive in 2016, through Archivo Abierto—our open storage, consultation, and exhibition area, allowing anyone to see our collection up close and to interact with the pieces.
The other half of our permanent collection is the Archivo library, which specializes in architecture, art, and design. It is divided into two: the Personal Collection of Enrique del Moral (CEM) and the Archivo Collection (CAD). Both can be perused in our Reading Room.
You can also explore our entire collections (both the object collection and the library) in our online catalogue.
Design and architecture are meant to be used and experienced, not displayed in a museum or gallery space. So, how and why do we exhibit design?
For Archivo, the answer to this question changes and adapts as time pases and according to different scenarios, but we generally believe that the practice of exhibiting design is important to rediscover histories, make processes public, and to go beyond the surface of a finished product. Our purpose is to strip design from any sense of mystery trying to tie it to a broader discussion regarding cultural and collective processes.
Our exhibitions delve into these concerns and attempt to push their boundaries: they question the nature of authorship in design and the relevance of process; they reveal the engineering logics behind a common artifact or blur the object-based focus of design; they reactivate historical memories, and seek to redefine the relationship between design and contemporary life in Mexico.
You can explore a complete history of our past exhibitions, learn more about our current shows, or discover the ones we have planned for the future.
Archivo seeks to inspire and encourage people to think design in non-traditional ways, to break disciplinary boundaries, and to create a broader view of the practice and its contexts, processes, histories, uses, and impacts.
Archivo is both a practical and educational resource for students and professionals, as well as a space that introduces a broader audience to design and material culture.
We generate and promote original and informed perspectives through a range of formats that are accessible to everyone: research projects and publications, opinion pieces, workshops and collaborations, and even informal gatherings and other kinds of activities.
Archivo is an exhibition space, as well as a research and gathering space; entrance is free of charge and open to the public. We want you to visit Archivo, but we especially want you to use Archivo. We want you to see our exhibitions and spend the day reading our books in the Reading Room or in the garden, having a coffee. We invite you to use our archive for your research or school project, or to participate in one of our conversations and workshops.
We may be a small, independent space, but we offer a considerable variety of resources and activities, as well as an ambitious program, and original, quality cultural offerings.
You can collaborate with Archivo through our volunteer program. If you are part of the design community in Mexico and you have a project or a collaboration proposal that involves Archivo, you can also contact us.
Sometimes we offer spaces for private events. If you are interested in hosting a photo shoot, a book launch, a dinner or a private event in Archivo, you can request information through our e-mail: info@archivo.design.
Archivo is the only project in Mexico dedicated to collecting, exhibiting, and rethinking design and architecture.
Archivo is focused on researching and advocating design, as well as in exploring its history and evolution, questioning its principles, and exploiting its potential as a tool for everyday transformation.
Through our permanent collection—consisting of 1,800 objects, a specialized library, and a dynamic program of research, exhibitions, and activities, Archivo has established itself as a pioneering space and an essential reference for design and architecture in Mexico and abroad.
(ESPAÑOL) TRANSPORTE
general
DIRECTOR
ASSISTANT CURATOR
PROJECTS MANAGER
RESEARCH
Our collection is a resource that we extend to all public as a research tool. We’ll share information about its relocation soon. For the library, we recommend that you make an appointment by sending us an email where you specify the topics you are looking for.
VOLUNTEERING
Archivo seeks volunteers all year. If you are passionate about design and want to be part of the team, check our programs here.
WEB CREDITS
design: Alejandro Olávarri
realization: dupla.mx
Archivo is not your typical archive. Instead of simply organizing and preserving documents that are only accessible to specialists, we want to produce new readings, perspectives, and ideas regarding material culture in its broadest sense, without restricting ourselves to categorical definitions or expert knowledge.
We are not a repository of records and documents, but of artifacts, testimonies, activations, and any sort of exploration about design. Archivo is an open archive: our storage rooms are accessible and our catalog is open; we share our resources, and we make our processes public.
We see Archivo as the raw material for learning and experimenting with design and architecture, a source of inspiration for designers, where curiosity, knowledge, and critical thought are instilled.
Archivo reasserts the relevance of design in our daily lives. We are pioneers in researching and exhibiting design in Mexico and we offer a unique study collection of everyday design. We’ve broken down our SPACE and work into three areas of activity:
From our foundation, Archivo has focused on acquiring, cataloging, and preserving a permanent collection of popular and industrial design as well as limited edition objects from the 20th and 21st centuries. Convinced that there is a difference between interacting with an object and seeing a representation of it in a book or website, we decided to open our archive in 2016, through Archivo Abierto—our open storage, consultation, and exhibition area, allowing anyone to see our collection up close and to interact with the pieces.
The other half of our permanent collection is the Archivo library, which specializes in architecture, art, and design. It is divided into two: the Personal Collection of Enrique del Moral (CEM) and the Archivo Collection (CAD). Both can be perused in our Reading Room.
You can also explore our entire collections (both the object collection and the library) in our online catalogue.
Design and architecture are meant to be used and experienced, not displayed in a museum or gallery space. So, how and why do we exhibit design?
For Archivo, the answer to this question changes and adapts as time pases and according to different scenarios, but we generally believe that the practice of exhibiting design is important to rediscover histories, make processes public, and to go beyond the surface of a finished product. Our purpose is to strip design from any sense of mystery trying to tie it to a broader discussion regarding cultural and collective processes.
Our exhibitions delve into these concerns and attempt to push their boundaries: they question the nature of authorship in design and the relevance of process; they reveal the engineering logics behind a common artifact or blur the object-based focus of design; they reactivate historical memories, and seek to redefine the relationship between design and contemporary life in Mexico.
You can explore a complete history of our past exhibitions, learn more about our current shows, or discover the ones we have planned for the future.
Archivo seeks to inspire and encourage people to think design in non-traditional ways, to break disciplinary boundaries, and to create a broader view of the practice and its contexts, processes, histories, uses, and impacts.
Archivo is both a practical and educational resource for students and professionals, as well as a space that introduces a broader audience to design and material culture.
We generate and promote original and informed perspectives through a range of formats that are accessible to everyone: research projects and publications, opinion pieces, workshops and collaborations, and even informal gatherings and other kinds of activities.
Archivo is an exhibition space, as well as a research and gathering space; entrance is free of charge and open to the public. We want you to visit Archivo, but we especially want you to use Archivo. We want you to see our exhibitions and spend the day reading our books in the Reading Room or in the garden, having a coffee. We invite you to use our archive for your research or school project, or to participate in one of our conversations and workshops.
We may be a small, independent space, but we offer a considerable variety of resources and activities, as well as an ambitious program, and original, quality cultural offerings.
You can collaborate with Archivo through our volunteer program. If you are part of the design community in Mexico and you have a project or a collaboration proposal that involves Archivo, you can also contact us.
Sometimes we offer spaces for private events. If you are interested in hosting a photo shoot, a book launch, a dinner or a private event in Archivo, you can request information through our e-mail: info@archivo.design.
The party was yesterday and no one remembers anything
The Museo Dinámico (Dynamic Museum) existed in Mexico between 1962 and 1967. Sporadic and fleeting in nature, this program established what might well have been the first museum of contemporary art in the country, introducing a number of variables that today would be taken for granted: the fact that a museum does not need a permanent venue, that it does not need to remain open perpetually, that it does not have to last forever.
Founded by the cultural promoter Miguel Salas Anzures and the modernist architect Manuel Larrosa, the Museo Dinámico occupied the liminal area that lies between a completed work of architecture and its permanent use, in order to present exhibitions wherein visual arts, theater and architecture could come together.
In this regard, the Museo Dinámico was not an institution dedicated to the conservation of works of art, but rather one that responded immediately to the entire gamut of artistic acts that were being produced at the time. While elsewhere the sixties represented the beginnings of a proto-conceptual practice that would eventually lead to the dematerialization of the art object, in Mexico a series of artists conceived their creations as accidental and ephemeral. This was reflected not only in the theatrical and cinematic practices the artists of that decade were involved in, but also in the institutional model that Salas Anzures and Larrosa were trying to establish.
In the experiences that were carried out in the different locations of the museum, works of art produced by avant-garde artists that had no place in the official cultural venues –among them Manuel Felguérez, Myra Landau, Alberto Gironella, Pedro Coronel, Fernando García Ponce, Lilia Carrillo, Nacho López, Alejandro Jodorowsky and Juan José Gurrola– were exhibited.
‘The party was yesterday’ and ‘No one remembers anything’ coexist within this proposal. Each one of them displays contemporary artistic gestures that allude to the spirit and original atmosphere of the Museo Dinámico, as well as works and source documents produced throughout the years in which this important institutional precedent came about.
– Mario García Torres